Graphic identity project for the exhibition 〈2019 Seoul Focus: No Two Nights Are Alike〉. Confronting the crisis of environment and species destruction caused by growth-oriented development, it presents an aesthetic approach exploring trash and capitalism. The design concept reinterprets broken and crumpled typography as 'heaps of trash' to use as graphic elements for the English title. This motif also borrows from 'upcycling' processes that repurpose discarded resources. In addition to the exhibition identity, a participating artwork titled 'Heaped letters' was presented at the front of the venue.